Merging Art and Technology to Create Immersive Experiences

My background in new media art at the University of Westminster marked a shift in my practice toward spatial and interactive work. Building on an early interest in photography, videography, programming, and sound design, I began focusing on installations as a way to bring these disciplines together within a shared physical space.

Through hands-on projects and collaboration with international, multidisciplinary teams, I developed an approach grounded in experimentation, iteration, and systems thinking. This process continues to inform how I translate concepts into responsive, spatial experiences that unfold over time and through interaction.

I work across media and disciplines to design and develop interactive environments for exhibitions, installations, and spatial experiences. My practice includes projection mapping, generative visuals, spatial sound, and real-time data-driven systems, often integrated into cohesive, site-specific works.

Projects take shape across a range of contexts, including cultural and public spaces, temporary installations, and experiential environments. Regardless of scale or setting, I focus on building systems where technology supports clarity, atmosphere, and engagement, remaining present without becoming the subject.

Collaboration is a central part of my practice. I work closely with artists, technologists, designers, and curators, contributing both conceptually and technically throughout the development process.

My role often involves bridging creative intent and technical execution — aligning ideas with spatial constraints, production realities, and audience interaction. By facilitating dialogue across disciplines, I help shape projects into coherent experiences that remain faithful to their original vision while adapting to real-world conditions.

Interactive installations offer a unique way to engage people on sensory and emotional levels. I’m interested in how participation can slow down perception, invite curiosity, and create space for reflection and dialogue.

By combining physical environments with responsive digital systems, I aim to design experiences that encourage active involvement rather than passive observation, allowing audiences to become part of the unfolding work.